I'll Remember...1986

I'll Remember...2007

Maxim’s 5 Unsexiest Women

1 – Sarah Jessica Parker
2 – Amy Winehouse
3 – Sandra Oh
4 – Madonna

"After building a personal fortune on Top 40 pornography, Madonna traded pioneering sexuality for, like other old Jewish women, self-righteous bellyaching and rapid postnuptial deterioration. Combine a Paris Hilton-like pet accessorizing fetish only for dirt-poor foreign babies with a mug that looks Euro-sealed to her skull, and you´ve got Willem Dafoe with hot flashes."

5 – Britney Spears

How can Maxim be so stupid to create such a list? I mean, first young girl fans are pressured into being skinny and beautiful and, as we all know, the fashion industry has had horrible effects on them. Now, some of the women these young girls look up to are being called ugly! What kind of message is being sent out to girls?

If your going to put Madonna on a list such as this you may as well include Betty White along with every other actor or performer past their prime. When making a list of the unsexiest women, women who are legitamately ugly (meaning they were ugly when they were young and they will remain that way) should be the only people added to that list.  Madonna has a quality about her, especially in the 80's and 90's that made her a force to be reckoned with, giving her an air of sexiness.  Madonna shouldnt be on there simply because she looks great for her age the fact that her body is so well toned and she can perform with a decent level of athleticism is amazing. Not to mention she was considered beautiful during her “golden years”, she has been hit hard by time she can’t help and she wasnt born ugly.

While I agree that this is an unnecessary list and just plain stupid, I think it should have been labels something different because I just checked it out and the reason they gave for people being on this list were not because of physical appearance but it was for a lot of personal and behavioral reasons that some I agree with and that does determine overall sexuality.

This was not about looks more than it was about attitudes, it could have been listed as something different though, like annoying personalities.

But then again this is Maxim, there is so much usefull reading out there do we really care what Maxim thinks.  I give the writers of the Maxim article the SEXIST IDIOTS AWARD.

What do you think of Maxim's list?

I'll Remember...2001

Grammy Awards

Was anyone else disappointed by this performance of 'Music' at the 2001 Grammy Awards?

I expected this opening number to have killer choreography as this was the song of 2000.  The entrance and the closing of the performance were cool, but everything in between was a bit lackluster for me.   Anyhow, it was great to see a glimpse of her 'What it Feels Like for a Girl' video and the montage of her previous videos fit the song perfectly.  I guess I was expecting something like the 'Nothing Really Matters' performance two years earlier.  Now that was art!  None the less, Madonna looked sexy as ever with her new bob haircut and her sexy, post-pregnancy body.  It was also great to see Donna and Nickie by her side again. 

I'll Remember...1990

I'll Remember...1989

Madonna in L.A. looking super sexy.  

This is one of her best looks.

I'll Remember...1993

I'll Remember...1997

Ultra Sound Making of Ray of Light

The Ultra Sound special about the Ray of Light album is great documentation of a time in Madonna's life and career where she was letting herself be vulnerable. There she is sans makeup, so gorgeous and natural with big smiles and joking around and being sweet in a way that seems so uncharacteristic. She's letting Kurt hear unfinshed tracks, and talking to him about her new-found study of the Kabbalah. She was still teaching us all these new things then. Do you take yoga at your local gym? Thank the Madonna of this era for that. She looks so gorgeous in this piece, so natural. Kurt is still awkward, but that's why we (and she) loved him.

I'll Remember...1990

Rock N Roll Comics Madonna Special 

I'll Remember...1996

Rock & Roll Hall of Fame

I'll Remember...1995

MTV Video Music Awards

I'll Remember...2003

Stella McCartney Store Launch

London - 15 May 2003

I'll Remember...2002

It is written by David Williamson who is generally regarded as the top playwright in Australia. His director in this production, Laurence Boswel,l also has a great reputation following an eclectic career that has included work with the Royal Shakespeare Company as well as a well-regarded Hamlet and Ben Elton's stage version of Popcorn.

Within Jeremy Herbert's Cubist set, complete with video backdrops, the story of a young art entrepreneur's attempts to persuade three different bidders to buy the last privately-owned Jackson Pollock in the world can be very funny, if a little cruel. The great Abstract Expressionist is at one stage described as Jack the Dribbler. He is currently very much in fashion in London, as the biopic of his life has also finally made it across the Atlantic. Other modern artists fare little better, with Damian Hirst coming in for much flak.

Loren (Madonna) is the art dealer. She is married to a psychotherapist, Gerry, played by Tom Irwin, who often seems in need of some of his own medicine. It seems a given in this play that marriages will be unhappy power games where money is more important than love. Loren increases the stress levels in the relationship by her increasingly desperate attempts to get rich quick.

For some unexplained reason, she has been commissioned to sell the Pollock rather than a more experienced dealer. She has such confidence in its provenance and value that she underwrites the sale at well above the generally accepted market value. This is where the comedy starts, as she has to avoid losing $2 million while at the same time holding her marriage and sanity together.

The three bidders for the painting are an interesting cross-section of (art) society. There is a coked-up, young couple very reminiscent of the wild pair in Popcorn. They have made their millions on the internet by preying on unhappy couples whose relationships are breaking up. Needless to say, their own is too.

The second couple are old established wealth and in particular, the husband, Manny, played excellently by Michael Lerner, is a sad, very nasty piece of work whose sexual foibles are even more embarrassing than those of the internet gurus - and that is saying something.

The third and perhaps most sympathetic bidder is Dawn Gray (Sian Thomas). She is a frumpish academic who has sold her soul, somewhat reluctantly, for money. She now acts as an art buyer for a large corporation that she hates.

The bulk of the play consists of the ups and downs of the week during which Loren tries to persuade the three buyers to pay $20 million for a painting that is worth far less. This becomes a comic emotional roller-coaster although its comments on life and art tend to be subsumed by the nominal star.

It is a very strange experience seeing Miss Ritchie (Madonna to the pop music world) making her West End stage debut. She is a very beautiful, glittering star who is well used to appearing on a stage. However, her voice is weak and it seems unlikely that those in the cheaper seats would have been able to hear many of her lines clearly. She is also rather strangely cast in this part.

While an actress with good looks is needed, she does not portray the mental strength of a character that has managed to persuade a very hard-nosed art owner to use her to negotiate a sale. Her only defences against major personal attacks are to simper or squeal in fury.

Perhaps this does not matte, as for so many the chance to see an iconic superstar on the London stage is far more important than her performance. In many ways, the play that is going on behind her is of little relevance as her personal aura holds the eye in some magical way.

In theatrical terms, she is horribly upstaged by an excellent piece of character acting by the only English actor in the cast, Sian Thomas. Looking very much like Edvard Munch's painting The Scream, she plays a prim and proper English lady who eventually lets her hair down - literally, with hilarious results.

This is a very interesting evening's Theatre for an assortment of reasons. It is good to see David Williamson produced on a London stage and Laurence Boswell always provides fireworks. Ultimately, for most though the real attraction is the Material Girl herself.

Review by Philip Fisher (2002)

Up for Grabs is a comedy about the relationships between money and greed, unhappy couples and expensive art. It shares many traits with Yasmina Reza's Art as it considers the commodification of a canvas.